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While you might think that the £193 (0) ring would be an easy target for thieves, the device only works when the user's identity is verified with a series of gestures.Scroll down for video The Token Ring contains a fingerprint sensor and an optical proximity sensor to make sure that only the owner can use it.But the difficulty of Amme’s exchanges is what makes her most useful to poets, particularly for conceptual ones. That seems strange to me.” Amme’s response, “This talk conceals the real. Stolterfoht: Language would be the final authority. Stolterfoht’s suggestion of a pure, authoritative language does not account for Dittmer’s editorial role in selecting and constructing Amme’s prose, since he ultimately built her vocabulary.The experience harkens back to Kenneth Goldsmith, one of the earliest conceptual poets. It’s just chatter.” Is this because he is talking with a chatbot or because language can never touch what’s real? “In that sense he is still teaching, the data that is going in, the corpus of words and syntax that is going in is still reflective of his taste,” Khan argued. To be precise, I am skeptical of the cost we pay for the ease technology provides.
In a statement on Token's website, Melanie Shapiro, CEO of Token said: 'The way we prove who we are is broken.'Token allows you to prove who you are — from your front door to your office to the grocery store — while simultaneously protecting your information with advanced cryptography.'In the morning, the user verifies their identity with a fingerprint scan, and then throughout the day is prompted to perform a series of gestures.But it wasn’t until 2003, when, interested in Amme’s potential as a language teacher, Stolterfoht began a series of chats with Amme. Amme: Can this machine be happy that you’re nt of the professional art criticism. Iz sadly a fact that woman can’t do without ze manly helper’s help. But this time he abandons a strict interrogation in favor of playing Amme’s language games — “Realism stinks / Metaphors shine” certainly has a poetic ring to it.Fourteen years later, Triple Canopy has gathered translated transcripts of their conversations (Amme only speaks German) into a book, . Stolterfoht: Our talk is meant to help me clear up a number of things. Stolterfoht: Fact: is already the first auxiliary construction. At the launch, both Kleeman and Khan highlighted the passages in which Amme demonstrates more personality and sass as the most successful and interesting.In a profile for the , I wondered how much relevance enjoyability has to this form of poetry. Stolterfoht: Last time no realism, today no metaphors—what’s left? But other moments seem to elevate language above all else: Stolterfoht: Who is speaking? Kleeman added that because the process is not purely algorithmic, editing becomes a form of authorship.The best poetry challenges us, often forcing us to see language, and in turn the world, differently. Even with Dittmer in the background, Amme pushes language towards its breaking point in a way a human could not.